![]() Dan Le Sac vs Scroobius Pip - "Sick Tonight" (Doctor P Remix).Britney Spears - "3" (Doctor P Remix)."Party Drink Smoke" (with Flux Pavilion)."Business" (featuring Far East Movement)."Alphabet Soup" (with Cookie Monsta featuring Messinian)."Going Gorillas (Doctor P's Bananas Remix)"."The Pit" (with Adam F featuring Method Man)."Galaxies & Stars" (featuring Ce'Cile)."Music Is Dead" (with Dillon Francis).Circus One (presented by Doctor P & Flux Pavilion)."Big Boss" / "Black Books (featuring RSK)". ![]() ![]() "Sweet Shop" (Come Follow Me Mix) (Doctor P vs. ![]() It came from a predictive text suggestion that popped up when his name was typed (furthermore, one of his friends, following that, called him "Doctor Picto"). In an interview, Doctor P stated that the "P" in his name stands for Picto, which was a nickname of his. Since the letter "P" does not appear in Brockhurst's name, it can be puzzling as to where his alias comes from. In a February 2013 interview, Brockhurst said he was working on a second track with Eva Simons (the first being "Bulletproof"). His collaboration with Adam F and Method Man, "The Pit", was used in a trailer for the 2014 American comedy film Let's Be Cops. He is the co-founder of Circus Records, along with Flux Pavilion, DJ Swan-E and Earl Falconer. Some of his songs, including "Sweet Shop", "Tetris", "Big Boss", "Watch Out" and the remixes of Example's " Last Ones Standing" and Plan B's " Love Goes Down" have all received more than 5 million views on YouTube. Shaun has also produced drum and bass under the aliases Sounds Destructive (with Zachary Kemp, currently known as Trolley Snatcha), Slum Dogz (with DJ Swan-E and Krafty MC) and DJ Picto (or simply Picto). The lesson is clear: Having remade dance music in his own image, he's now shifted his aim toward pop music.Doctor P is the stage name of the English dubstep producer and DJ, Shaun Brockhurst (born 9 April 1986). And we haven’t even talked about “Where Are Ü Now,” the runaway hit that Skrillex and Diplo made with Justin Bieber in 2015, which introduced yet another sound to Skrillex's arsenal. Skrillex’s OWSLA label has proved just as restless in its desire to rewire the future of dance music, releasing work from artists like Anna Lunoe and Dillon Francis. For those who thought he was an unrepentant headbanger, he turned up with sweet, sensitive jams like 2011's “Summit,” featuring Ellie Goulding by 2014’s shape-shifting Recess, he was wriggling out of dance music’s pigeonholes by teaming up with Chance the Rapper (a remix of Hundred Waters’ “Show Me Love”) and K-pop stars CL and G-Dragon (“Dirty Vibe”). But boundary-breaking, whiplash-inducing tunes like 2010's “Scary Monsters and Nice Sprites” were just the beginning: Turns out that Moore is blessed with a rare talent for reinvention. His serrated synths and wobbling bass, as heard on 2011's “First of the Year (Equinox)” and “Bangarang,” helped introduce America-and the world at large-to dubstep, and his irrepressible, punk-like energy brought a crucial dose of personality to EDM at the very moment it was evolving from previous incarnations of rave culture. But from virtually the moment that Sonny Moore (born in LA in 1988) stepped out as Skrillex, he radically changed the course of dance music. In the spring of 2010, few people could have expected that the person about to turn electronic music upside down was the long-haired frontman of From First to Last, a Los Angeles post-hardcore band.
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